We are an all-female Design Collective based in South London. Our work spans from installations to performance and participatory live-experiences. We run workshops and enjoy to share our practice as educators and facilitators.
Alexa Pollmann is a design-researcher with a background in fashion and an MA in Design Interactions (RCA). Bine Roth is a material specialist and jewellery designer who graduated from the MA Textiles Mixed Media (RCA).
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Alexa is Subject Leader in Wearable Technology at the School of Design & Technology, London College of Fashion. She works closely with the MA Fashion Futures and investigates fashion’s digital culture and speculative prototyping methods. Bine is an independent researcher for Chelsea College of Art & Design’s Textile Department and supports them through lectures and in setting up a smart textiles lab.
Alexa Pollmann is a design-researcher with a background in fashion and an MA in Design Interactions (RCA). Bine Roth is a material specialist and jewellery designer who graduated from the MA Textiles Mixed Media (RCA).
Alexa is Subject Leader in Wearable Technology at the School of Design & Technology, London College of Fashion. She works closely with the MA Fashion Futures and investigates fashion’s digital culture and speculative prototyping methods. Bine is an independent researcher for Chelsea College of Art & Design’s Textile Department and supports them through lectures and in setting up a smart textiles lab.
Our work was exhibited and performed internationally. We have shown at the Design Museum London, Sadler’s Wells Theatre, Museum of London, Jerusalem Design Week, BFI London, Deutsches Technikmuseum, Venice Biennale, De Doelen Theatre Rotterdam - amongst others.
By augmenting reality through physical and digital means, we invite audiences to perform body politics as they join our collective experiences. Motivated by macro systems of social and political context, our work is guided by our understanding and knowledge of traditional making and offers a response on a micro-level; informed by fashion, textile and silversmithing techniques, we create wearable artefacts that expand the realms of wearable technology, meandering the fine line between gadget and garment, costume and avatar, and the interdependence between self and other. The idea of the subject-object, best described in the metaphor of a mask that only truly comes into being when activated - is one that we have studied in our work by creating interactions with garments and devices that transform our relationship to others: being watched diverges from being the one watching, and our theatric experiences offer entry to ritual-like moments of dressing and becoming, whilst inviting the idea of gameplay, agency and interaction.
By augmenting reality through physical and digital means, we invite audiences to perform body politics as they join our collective experiences. Motivated by macro systems of social and political context, our work is guided by our understanding and knowledge of traditional making and offers a response on a micro-level; informed by fashion, textile and silversmithing techniques, we create wearable artefacts that expand the realms of wearable technology, meandering the fine line between gadget and garment, costume and avatar, and the interdependence between self and other. The idea of the subject-object, best described in the metaphor of a mask that only truly comes into being when activated - is one that we have studied in our work by creating interactions with garments and devices that transform our relationship to others: being watched diverges from being the one watching, and our theatric experiences offer entry to ritual-like moments of dressing and becoming, whilst inviting the idea of gameplay, agency and interaction.